I guess we are all in love with Roger's voice. However, it is also extremely enjoyable to look out for the little, but ever so precise details he uses to round out his characters by way of body language.
If someone asked me to prove within 30 seconds what a superb actor Roger is, I would probably show him Roger's last scene in "The Wind that Shakes the Barley". In a few seconds and with just a few tiny gestures Roger manages to change the viewer's attitude towards his character. Suddenly, he appears lost and lonely and desperate and he wins the viewer's sympathies. Well, mine at least.
Another tiny bit which I love occurs during the last meeting between Roger's character and the headmaster in "A Class Apart". The men look each other in the eyes. At first, Roger looks defiant and provocative. But then he cannnot sustain the eye contact and looks down. For a moment it appears like he is ashamed of himself. But of course, the louche bastard soon resurfaces ....
If someone asked me to prove within 30 seconds what a superb actor Roger is, I would probably show him Roger's last scene in "The Wind that Shakes the Barley". In a few seconds and with just a few tiny gestures Roger manages to change the viewer's attitude towards his character. Suddenly, he appears lost and lonely and desperate and he wins the viewer's sympathies. Well, mine at least.
Another tiny bit which I love occurs during the last meeting between Roger's character and the headmaster in "A Class Apart". The men look each other in the eyes. At first, Roger looks defiant and provocative. But then he cannnot sustain the eye contact and looks down. For a moment it appears like he is ashamed of himself. But of course, the louche bastard soon resurfaces ....